Spanning eleven immersive hours, this nineteen-piece archive captures Tom Hall’s post-pandemic return to the stage, charting a 2022–2025 global arc of DSP-driven live performance where modular circuitry, fractured rhythm, and sculpted abstraction coalesce into relentlessly evolving sound architecture.
Tag: DSP
Tom Hall :: Trip Computer album launch @ Gray Area (San Francisco 8/16/2025)
Tom Hall presents Trip Computer album launch—a powerful new audiovisual performance marking two decades of exploration in experimental sound, systems, and synthesis. Featuring special guests r beny, Testu Collective, Amma Ateria, and Sharkiface, this event brought together boundary-pushing artists for an immersive night of sonic and visual experimentation.
Tom Hall :: Trip Computer (Sonoptik)
Tom Hall sculpts granular textures and rhythmic fragments into form—an exercise in data compression through tactile, resonant frequencies. Bass pulses, tonal debris, and percussive detail coalesce into a focused, razor-sharp sound world. Each track breathes with emotion, even as it lives inside the circuitry.
OISATSANA :: Final Form (Evel)
Final Form is the realization of OISATSANA’s gently crumpled soundscapes, accompanied by the granular crunch of electrical signals glitching in tandem.
Dalglish & Brandon Nickell :: Double review (Ge-stell)
Gestell (roughly ‘enframing’) is a term coined by German philosopher Martin Heidegger to describe what lies behind modern technology. Ge-stell is also a new label run by […]
C. Mantle :: Femto Tudomány EP (Acre)
Weaving basslines that burst from every corner, Femto Tudomány is a distracting yet somehow attractively coherent extended player. C. Mantle (aka Christopher Mantle and Acre […]

















