Experimental Electronic Music
Welcomed by the superb quiet details label—responsible for classics in sculpted minimalist and lush dronescapes—Weeds is an other captivating, perfectly executed, and subtly moving, serene, granular sound experience for day-dreaming and serious meditative inner levitations affected by lonesome souls.
Caesura is a very listenable production, with consistent compositions and solid mastering; several familiar classical and acoustic sounds are infused all around.
Sacred Sorceress reveals a great dose of ideas and subtle variations, navigating between pure electronic minimal abstraction, evanescent meditative flows, to more grounded monolithic rock riffs. Some spoken words and a vast array of samples are also used to reinforce the cinematic aspect and to make it more impactful.
Two seasoned musicians covering upper atmospheric realms offer a reassuring, charming, yet fleeting escape with New Dawn.
A collection of cameos rendered in feathery tones and dusty pitches by Todd Gautreau aka Tapes and Topographies, Plumage’s sonorities, languorously looping and limned in treated effluvia, point to timbral and spatial elements as its primary zone of sonic inquiry.
instinct elicits playful blips and bleeps as structured found sounds are carefully pieced together, transporting us to uncharted realms.
Placing special emphasis on creating piano flavored ambient meditations capturing the moment, these compositions are splattered with improvisation and chance. Iván Muela is fascinated by the way technology can become an essential part of the compositional process.
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
Breath shines both as an ambient record and as a blend of both ambient and classical, not solely because of the instrumentation utilized, but also because of these really big powerful climaxes that make up for the record’s most engaging moments.
So even though Kilometer Club is doing something new by making electronic ambience the length of something you would hear by the Minutemen or The Germs, it is still long enough at the album level to be considered long form. That’s the paradox: an epic odyssey taken in brief snapshots. There is something very earnest about this approach.
Fans of Richard Devine and Valance Drakes should take note of Dragon’s comprehensive blend of deep sound forms that pierce through the core of our planet.
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