Room Of Wires continuing to unleash complex electronic structures exhibiting form and dysfunction via darker experimental electronic strains.
Tag: Downtempo
Eomac :: Cracks (Planet Mu)
For Cracks—which was produced in a rural part of Ireland without any outside pressure—Eomac showcases an aptitude for more upfront and punctuated techno, sliced breaks, and broken beat strains.
UnknownDivide :: Existence (Labile)
One simply cannot pigeonhole UnknownDivide, and maybe that’s the intention. When sparks like “Reverence” punctuate your soul and the title track pierces our ventricles, one can only imagine where we’ll be taken next.
Velum Break :: Cloaca EP (Analogical Force)
Velum Break sets the stage for an expressive and ghostly sonic mishmash that is positively on point and pushes the braindance genre just a little further.
R_Garcia :: Ojo EP (Nophi)
With each new release Randy is able to create distinctive sounds that defy genre norms. Ojo his first solo release in six years is no exception to this—featuring drastic variations stylistically from track to track.
Hanut Munson :: Zoopraxiscopy EP (Evel)
On Zooproxiscopy we find Hanut Munson deliver tranquilized electronic layers of dust where delicate pitter-patter beats flutter in the wind and melodic notes drift somewhere in the margins while simultaneously moving colorful sound images.
IWDG :: In a Lonely Place (AW/RW 2020) — Andrew Weatherall tribute (Rotters Golf Club)
There’s something for everyone in this collection and not just for arguing about the merit’s of music and cover songs. A good listen for a […]
The Woodleigh Research Facility :: Facility 4 EP series (Rotters Golf Club)
Before his untimely death Andrew Weatherall and his long-time collaborator Nina Walsh planned a series of EP’s to span 2020. The advantage of such a long term endeavor is that it allowed their ideas to unspool and then reconstitute over long melodic lines inviting thought without demanding conclusions.
O C O S I :: 373AHELL (Ohm Resistance)
An emphasis on heavy, heavy beats supporting deep, shuddering bass and dark atmospherics. With the drums playing such a heavy role in these songs one could be forgiven for mistaking it for a Scorn release from a bygone year.