Experimental Electronic Music
Stanza IV is the latest chapter in Benoît Pioulard’s ambient series—a richly textured collection of slow-moving, analog-driven compositions blending guitar, tape loops, field recordings, and synths. Deeply meditative and emotionally resonant, the album is paired with Stanza IV [Versions], a full-length rework collection featuring artists like Clarice Jensen, Arovane, and Markus Guentner, offering new dimensions to Pioulard’s immersive sound world.
Selected Remixes reflects Zach Frizzell’s collaborative ethos and transformative ear, reworking tracks from across the ambient and experimental spectrum. With his signature analog warmth, chthonic textures, and spectral drift, zakè reshapes source material into a cohesive suite of deep-listening reinterpretations that reveal his intuitive sonic alchemy.
The release of Trippin’ Variations via A Person Disguised as People is further evidence of Gray’s growing profile with a variety of tweakings to the original track from FC Commitments, Soft Operator, James Scott, SXXN, Stan K, Hidden Rivers, and Drummachinemike.
Igloo Magazine presents Five Questions for New York-based Black Knoll Editions label operator, musician, and Black Knoll Studio analog/digital mastering Engineer Rafael Anton Irisarri to plunge into his experimental ambient sonic forms, and learn more about the label, mastering studio, and artistic trajectories.
Double review for zakè’s B⁴+3 (Zakè Drone) and zakè & Benoît Pioulard’s eve (Past Inside The Present)—proceeding to windblown drones and bells tintinnabulating across the sound field.
Eight interlocking tracks of floating atmospheres and blends of colorful clouds, recorded at La Berceuse (Brooklyn, NY) and Offthesky studio, Denver CO in 2022-23 with […]
Throughout the album, labyrinthine lyrical reflections are dispersed with dazzling images, blurring scenes in world history with the most personal album by Meluch.
After covering several hundred releases in 2022, many notables—including links to their respective Igloo reviews or release pages—are cataloged here. As usual, there are no winners or runners-up as the lists are alphabetized by artist and selected tracks are featured on our Soundcloud playlist.
The whole naturally transcends reductive description in deeper listening mode, from which arises a tenor marked by a kind of wistful unease.
Elsewhereness revisited is an occasional feature documenting the drift at the margins: ambient gasbagging and blurb blah, ’tube-d, ’cloud-ed ’n’ ’camp-ed up, complete with new companion mix, Elsewhereness revisited #17. […]
