Experimental Electronic Music
Two highly acclaimed figures of IDM, downtempo, synth, and post-techno music join forces to release a puzzling album of hyperactive grooves and hypnotic pulses seconded by soothing ambient moves. The thematic background leads the listener into the modern-era of cycling and in particular the Tour de France’s epic sport adventure.
This is synthesized drone with the addition of processed chordal timbres that are longitudinal and unobtrusive. Some sparse and detached crystal-like piano touches are also perceptible, covered by diaphanous, shimmering, and electronically generated vocal timbres.
Quality Time Volume 4 slices a deep cross-section through the label’s unique sonic vision; to encapsulate a myriad of abstract electronic music structures and blend them seamlessly in this fourth volume. It might also be fitting to find more quality time and head back to Bonding Tapes’ earlier volumes again.
Overall, Cast Down And Hunted is a powerful release where I doubt I’ll ever play the B-side again; because it’s THAT powerful! But that A-Side might well end up on a ‘best of’ year list.
Globally, All of My Faults Laid Bare demonstrates a strong use of meandering synthesized textures with looped sequences, softly moving in deep space.
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
Dancing Alone is a solid production where no expenses are spared. If you are a fan of Elska’s vocal textures or enjoy translucent gothic-ambient moods and melodies, this album will most appeal to you.
With versality, skills, and a delectable sense of transcendental escapism, every musical contribution brings tone textures, patterns, timbral experimentations, harmonic progressions, and processed sound motifs to ravish your ears.
Mania embodies downtempo approaches to construct its unique message while straddling multiple genres without adhering to any one.
We find it all confusing and compelling at the same time. A serious snapshot through our day-to-day lives and the mundane commercial messaging that unfortunately is part-and-parcel of corporate powerhouse greed taking over our devices.
There really isn’t a slow or uninteresting moment on the LP, because there’s always a surprise hidden somewhere. Said surprises don’t come in the form of meticulous details, rather just with how good f5point6 and Rhombus Index are at subverting expectations.
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