Experimental Electronic Music
Equipped by technology’s skins, eyes, ears, hands, and feet, we go where we have never been before, this immense territory marks these musical traditions as part of a wilderness never needing to be civilized. With this album one can sense whispers of the moral order of nature and the mythic notion of the heroic wilderness.
Prelude For The Spring contains ideas of the transience of life, rebirth, rejuvenation, renewal, resurrection and regrowth, as well as humanity’s attraction to the unknown. […]
The retro-future cinematic feel is complemented with a very creative mixture of spoken words, oscillators, dirty ambient textures, computer-controlled bleeps, drones and powerful lead synths.
These ambient time capsules drip with emotional charges that can’t be ignored.
Composed primarily in the isolationism of summer sidings in 2020, willowed our whale song unison unions clarified here through neritic waters.
Rifdent manages to carefully unfold further electrical symphonies recalling to mind artists like Valance Drakes and Lexaunculpt with classical constructs broken into hundreds of found sounds.
A smoldering five-piece suite of deconstructed electronics from the upper atmosphere, merged together succinctly by a mastermind of the scene.
Olli Aarni finds faint ambient glitters from exploded stars many light years away and delivers their remnants in beautifully serene audible formation.
The pressure’s been rising again and Karsten Pflum now offers up a set of works in the guise of Camera Obscura—a twisted tale of analog sounds trying to make it in the harsh and dangerous digital world.
Acquiesce has more to do with the universe and its mysteries than it does being defined to any one genre.
It’s all here, triangulated for us mere mortals on Triangulate—an album we didn’t know was absolutely essential for the burgeoning industrial glitch scene.
