Shoegaze has always been a genre shaped as much by distortion as by definition. Coined—and complicated—by the British music press, the term has been embraced, rejected, and debated by the very bands it aimed to describe. In Shoegaze, music writer Ryan Pinkard explores this hazy history with clarity and curiosity, tracing the genre’s roots through its sounds, scenes, and stories. As a longtime fan, I found his account both illuminating and rewarding—a vital look at a style often heard but rarely explained.
Tag: 4AD
Antler Records :: The early years
Antler Records, the iconic label born in 1981 from the vision of Roland Beelen, rose anew in 2024—reborn, recharged, and resonating once more. Delving into its vaults, the label unveils a treasure trove of rare sonic artifacts, painstakingly compiled by Lieven De Ridder of Walhalla Records. But this revival isn’t just about the past—retrospective (and new) releases are on the horizon. The legacy lives on as history spins forward—until 2026.
Lisa Gerrard (Dead Can Dance) :: Universal language
If her Dead Can Dance duo with Brendan Perry has given them a unique place in the musical landscape for almost 40 years, she has also conquered a new audience since her interpretation for the Gladiator movie…
DENNIS SIMMS :: igloomag mix
Dennis Simms recently submitted a mix of experimental electronics and various ambient signals buried just below the frequency spectrum. Offering a new spin on the […]
Zomby & Machinedrum :: Double review (4AD / Planet Mu)
Zomby and Machinedrum are both excellent candidates for post-dubstep status because of their expertise and reluctance to fully engage with dubstep as a genre. Both […]
















