Manat is a new album of gauzy, merciless, gloomy, hieratic, and cryptical excursions in a lonely emotional estate, advocating feelings of anxiety, psychic departure, and disembodied projections.
Nina Hoppas is a conceptual artist, noise maker, and sound designer who published a couple of releases in DIY non-profit economical circles. She is based in Paris but used to travel abroad, giving performances in a multiplicity of contexts and art exhibitions. Her stylistic range oscillates between electro-acoustic to acousmatic researches on the pure sound motion, pattern, timbral experimentations, textured ambient motives, and clattering industrial electronic avant-gardism. Manat is a new album of gauzy, merciless, gloomy, hieratic, and cryptical excursions in a lonely emotional estate, advocating feelings of anxiety, psychic departure, and disembodied projections. Thrilling electronics are punctuated by ghostly resonating and echoing vocal treatments, fuzzed out guitar tricks and infused bass sonorities. An intricate, adventurous journey of abstract sounding textures and industrial inflected droney interferences that may appeal to fans of Zoviet France, Randy Greif, Schloss Tegal, Nocturnal Emissions, and Annea Lockwood.
Manat is available on Casetta.
