Obsolescene Programmée works on droning curves, motion, patterns, disrupted motives and incremental changes to provide a dark, reflective and atmospheric musical requiem for the heart.
Mathieu Lamontagne is one interesting sound artist in the DIY recording universe, participating with others to the negotiation of a new meaning inside the musical industry and elaborating a new listening experience. In this sub-system indie labels share the same repertoire and actively participate to install a new community of practice inside a specific musical niche thanks to creativity, skills and original sources of motivation. It comes to evidence that Lamontagne finally approached Polar Seas for a publication. The particular sound signature of Mathieu Lamontagne admits a large spectrum of references, notably coming from the downtempo-glitch ambient music, electroacoustic researches and other-wordly discreet music. Obsolescene Programmée works on droning curves, motion, patterns, disrupted motives and incremental changes to provide a dark, reflective and atmospheric musical requiem for the heart. Warm, delicate and plaintive sound colors guide the listener in a vast sea of broken memories and faded reveries of a post-industrial continent. The sound architecture includes many tiny detail and micro noises poetically combined, embracing an emotional vibe and provides an imaginative dialogue between processed musique concrète and morosely nostalgic ambient reveries.
Obsolescence Programmée is available on Polar Seas.
