(03.14.06) After bringing Hecq to a wide audience, Hymen Records hosts the debut release of another fresh talent, Ginormous, who before this record was only featured on Merck’s Aurora 2 compilation and on a Deru remix 10inch.
The sound is rich, organic and epic with the opening track, “Begin With The End In Mind.” Arrangements are spacious and moving like Gridlock’s but all the beats, percussion and melodies have a natural feel. Ginormous’ music in fact relies on processed live instruments, like guitars and drums, instead of synthetic elements and sub-bass. The final result is something like a crispy, warm version of Plaid or Bola: this is more evident in “Noctilucent” and maybe it’s inappropriate for “This Little Robot,” which is more upbeat, but nonetheless it gives you a rough idea of what you’re going listen to. Don’t fear, it’s not a copycat of anybody; most of the tunes are very captivating. I suggest to check the intriguing use of electric guitar in “Welcome Vacuum” to fully appreciate the capability of this newcomer.
I can tell you that The Endless Procession doesn’t sound like a debut record at all, every minute of music is detailed and minutely crafted, every layer added during a song fuses perfectly with the rest, no matter if it’s a buzzing feedback or a whirling melody. Added value comes from the crystal clear mastering by Mike Wells of ex-Gridlock fame, and from the more stunning than usual photo set, obviously by Salt, that envelops this Endless Procession.
Also available is a double CD version with a second disc of previous material, which I wouldn’t miss, supposing it’s nearly as good as the main release.
The Endless Procession is out now on Hymen.
