Such sleek, rhythmic glitch sees rinse.repeat at it again with this oversized extended player, running just over twenty-four minutes and moving through modernized, mechanized electronic flutter.
Reviews
IKKo :: Cheerleader EP (Roulette Rekordz)
Nicolas Ladoux returns as IKKo with Cheerleader, a five-track release that continues his exploration of neo-industrial electronics through a distinctly European lens.
Beatrice M. :: Sinking (Tectonic)
Rather than relying on brute force, Beatrice M. favors restraint, allowing space, texture and movement to do the heavy lifting. The result is a sophisticated, deeply atmospheric debut that confirms her as a compelling new voice within Bristol’s ever-evolving bass continuum.
Wahn :: Re: Echo Mist Light (Mahorka)
Re: Echo Mist Light offers a spellbinding collection of re-imagined pieces based on the initial album by Wahn. This release celebrates the 500th release of the independent imprint, a well-known publisher which cannot be missed by avid followers of adventurous and multifaceted forms of electronic music.
Heogen :: The Precipice (Touched Music)
The Precipice is the clearest proof yet that the trust between Boulton and Bax runs deep enough to produce something genuinely singular. It’s the sound of two producers who stopped negotiating with each other and started finishing each other’s sentences.
mico nonet :: The Cardboard Falcon (Ninevolt Labs)
The Cardboard Falcon is a profoundly vibrant, impressionistic, cinematic, slow-moving, and melodically oriented neoclassical album that will lead the listener to a state of serenity and contemplation.
Linear North :: We Thought It Was Normal (Self Released)
Intelligent yet playful, We Thought It Was Normal is an assured statement from an artist continuing to refine an already distinctive electronic language.
ΠΕΡΑ ΣΤΑ ΟΡΗ :: Oddling Weather Forecast EP (Self Released)
Always willing to push miles ahead into abstract electronic substructures while reaching back for acid, rave, jungle, breaks, and ultra-low-end vibrations, this is music whose physical impact feels every bit as potent now as it might have in the mid-90s.
Speake :: Photographic Memory (Self Released)
Photographic Memory is essentially the city chopped fine until it stops sounding like a city and starts sounding like weather. It’s made to be heard as a continuous mix, but Speake wants you to feel free to dip in and out.
Orange Crush :: Eidolons (SUNSEΛSKY)
Norway-based producer/musician Karl Endreson’s downtempo electronic project has been active since 2006, purveying nature-inspired soundscapes mixing ambient textures and trip-hop beats with guitar and field recordings, steeped in atmosphere infused with a deep sense of melody and nostalgia.
Trellis :: Field of Coincidence (Aural Canyon)
Field of Coincidence is the debut album documenting the collaboration between LA-based artists Jesse Perlstein (Sontag Shogun, AxOxH) and Michael Robert Chadwick (Fake Sword, Plum Professional), aka Trellis. Perhaps the perception of coincidence can serve as a link to folk psychology and philosophy as well as supernatural, occult, or paranormal claims, psychological reasoning, and the statistical probability of chance events.

















