Predominantly beatless tracks consisting of recursive delicate motifs, lilting chord progressions build to soft climax in surges of layered and looped fragments: strings, vocals, piano, […]
Recent Posts
Peter Martin Christopherson aka “Sleazy” (1955-2010)
Christopherson’s personal legacy and contribution to underground music burns brightly and will live on for long to come. Never one to shy away from controversy […]
Anders Ilar :: Stories of Old (Yard Rec.)
The first thing that strikes home about Ilar is the variety of styles he draws upon. Electronica is meshed with minimal techno and deep house. […]
Heinrich Dressel :: Vicolo Cieco (MinimalRome)
There are few artists that make what Heinrich Dressel does, rich movie score pieces of electro. The tracks are drenched in analogue depth, echoing the […]
Arne Weinberg :: Chrome EP (Diametric)
On hearing Chrome I thought of how much I enjoy listening to this kind of music during these long cold winter nights. And I do. […]
Frank Bretschneider :: EXP (Raster-Noton)
Packed with crisp clicks/cuts, waves and funky beats we hear short pieces ranging from 14 seconds to 3 minutes, all with one thing in common, […]
Ken Ikeda :: Kosame (Spekk)
A physical work of beautiful noise as it is one that vacillates in its own improv juices. The compositions are jagged and oblique, but fun […]
Kahn :: Altar EP (A Future Without)
…an immersive experience, clearly influenced by recent club sounds, though better suited to late night listening on headphones. In fact, it wouldn’t be at all […]
Thomas Koner :: 3View 2010.3 by James Knapman
For those unfamiliar with Thomas Köner‘s oeuvre (I certainly was until Type’s re-issue campaign this year), Nunatak, Teimo and Permafrost were his first three solo […]
Richard Garet :: Four Malleable (and/OAR)
A bit of a luminescent drone collage harkening early Thomas Köner. Lapping and drifting, then soaring, it’s quite oceanic in scope, and a bit of […]
Taylor Deupree :: Shoals (12k)
By using the edges and surfaces of Gamelan instruments there’s a peculiar tonal wave that comes from the slow caress of these objects. As part […]
















