It’s hard not to get all poetical when talking about this album, with its vast textures and intricate details. It is slow, subtle and at […]
Recent Posts
Eomac :: Eomac EP (Acroplane)
Taking sound design to another level, melodies are buried underneath a plethora of low-end bass emissions. Twisting itself around dub, breaks, electro, hip-hop and minute […]
Asymmetrical Head :: The Treehouse Remixes (Architects + Heroes)
Brittle in texture, form and function yet ever expanding in its panoramic view of electronic music, The Treehouse Remixes emits a complimenting reflection of Asymmetrical […]
Monolog :: Live Cuts EP (Acre)
The raw experiments—while seemingly delivered as improvised sessions—have Monolog (aka Mads Lindgren) transmitting tangled rhythm-bursts at every turn. As the title suggests, Live Cuts is […]
I/DEX :: Arc (Foundamental)
Though Arc may be worth your time and effort due to its epic close, I/DEX is able to transmit uniquely crafted experiments through a beautiful […]
Nonima :: Exostatic EP (Mitoma Industries)
“Nonima is the pseudonym of Tam Ferrans, a 28 year old producer from the sunny climates of Scotland. His sound deviates between glitchy industrial techno […]
Dr.Nojoke :: Unexpressed (UNOIKI)
Though pure experimentation featured on Unexpressed defines its nature and place amongst a sea of like-minded individuals, it’s Dr.Nojoke’s thorough ebb and flow that creates a calm […]
E_LPHABET :: Middle Line (33)
As the entire package transmits a double-aura in terms of style, the midnight sky is lit with E_LPHABET’s brooding—if not moody—spatial frequency interruptions which are […]
Radioactive Man :: Waits & Measures (WANG Trax)
Radioactive Man, or one half of Two Lone Swordsman (with Andrew Weatherall) has been a consistent presence in electronic music—keeping things strictly straight up electro-machine-funk […]
Midwich :: Running Repairs (Striate Cortex)
Running Repairs is the right name for this, his return to recording after an extended sabbatical. [Releases page] As befits a label named after the […]















