Experimental Electronic Music
Writing music for netlabels has been a main focus for my projects. My own netlabel, Treetrunk Records, focuses on music composed using alternative techniques. I have also extensively released on netlabels such as Webbed Hand, Petroglyph Music, Camembert Electrique, and others. As my goals became more proportional, I let go of my desire to make music mainly for profit.
Cecchitelli’s style reminds me a bit of Angelo Badalamenti, a chosen soundtrack composer for David Lynch, among others. It is much like his, but with some Leo Kottke added, with a similar style of guitar melodies.
“I (also) urge musicians to write using whatever means they choose and would suggest that means can affect results in a composition, but believe that some expression is possible using almost any means of musical creation.”
Regarding Jon Mace’s background, artistic inspiration, music-making process, and any surprising insights that his followers should be aware of, it is an honor to speak with him through a series of questions and answers on behalf of Igloo Magazine.
This is the music of deep space, slow distant presences are revealed, with interesting textures and gigantic open areas where planets are small circles.
A window to the past; D-Fried captures unusual transmissions in saturated strands where found sounds sizzle, snap, and ping their way through the mist.
Plector sees Parallel Worlds on his third solo mission with DiN, and once again encapsulates darker atmospheres, especially as the opening title-track showcases so well.
Greinke’s unique approach on his ambient work is to heavily layer, multitrack, and texture soundscapes, using the studio as an instrument.
