Experimental Electronic Music
With best intentions—no seat belt is required with this release, instead allow yourself to free fall at the speed and in the direction A Typo I Feed Iris Noll has meticulously premeditated in this influentially inspired piece that has more than enough legs to stand next to the giants before him.
The pieces that make up Amaro are what happens when you take a bunch of citrus and herbs and ferment them together, and then distill them. “Trafic” video premiere.
A meticulously crafted album of definitive range, scope, and color, these dozen interconnected audio impressions grab the attention of time and space, shifting and skittering about.
Koreless proves with Agor that he has become a master of his craft by exciting the listener with different aspects of sound design and structure. Unconventional in all the best ways. A future classic right here.
The notions of psychic change and individuation processes are central and beautifully interpreted in vaporous and subliminal soundscapes which play with incremental progression, movement, motion and pattern.
Whereas before we heard two bold creatives combining two distinct styles, this time it’s one creative producing a soundtrack focused on a tangible game world. A soundtrack that leaps between depth and fragility.
A distinctive body of heart-moving emotional soundscaping textures, crushing noisy drones of cathartic beauty, shrouded by a tremendous cinematic aura.
All manner of scorched dark beats and bass are ravaged on Traces and what lies just beneath the drum onslaught is a thin droning soundscape that is both eerie and brooding.
As the artist accurately describes, these are analog accidents that rinse, repeat, and reflect—stitched together like an aural set of strands. Both organic and orchestrated with a lively feel, One x 3 is a welcomed if not ghostly three-piece suite with nuanced exploratory sounds.
Each track is intelligently arranged and flow seamlessly throughout this very thoughtful and engaging album. The overall ambience is hauntingly beautiful and the melodies shine […]
Making and Then Unmaking concerns itself with these rough edges by understanding the confessional quality of folk, whose confessions need not be aesthetically fitting to […]
