Since his first releases in the late 1990s, he’s always made music that bears a resemblance to his peers while being wholly unique.
Recent Posts
Björt Rùnars :: Tiktúra EP (La Posada)
It’s an EP that showcases Rùnars’ skill at building compelling sonic pictures within a specific set of tools and comes highly recommended.
Kristof Bathory :: Humanoid Dystopia (Cryo Chamber)
This mysteriously cinematic ambient body of slowly moving pieces is mentally transportive and representative of a contemplative journey in unknown vastness and in the depth of the subconsciousness.
Pascal Savy :: Simulacra (Cyclic Law)
With its incantatory tranced-out noisy percolations and moody-esque pulsating minimalism, this album has something majestic and hypnotic which claims to reach the dark arcana of some paranormal regions.
Derrick Stembridge :: Past Present Future: Archive I (Labile)
The album’s almost cyber-punk and relentlessly austere energy also veers into musical territory inhabited by Ghostly International-signed acts.
Suumhow :: Extra Failed Items (n5MD) — Video premiere
Where earlier notable artists such as Funckarma, Funkstörung, Gescom, and Proem are touching points, Suumhow successfully shape their sound as the new benchmark connecting them together.
Mike Griffin (Energy No. 13) :: The life of the DJ, artist, & co-label owner (ECU)
Meet Mike Griffin, the sonic wizard behind Energy No. 13, hailing from the dynamic music scene of South Florida. With roots deeply entrenched in the world of rock and metal, he made a thrilling transition into the electronic music realm during the mid-1990s…
Stasis :: Quondam Sequences (De:tuned)
Listening to Stasis’ output from the 1990s, Quondam Sequences inhabits a different space. The earthy tones that characterize Pickton’s sound are present, but they are not central. Instead, this three tracker explores a shifting focus where new ideas and instruments begin to merge.
RAN :: Birds (Adepta Atanor Collection)
It’s a treacherous drum’n bass maze to navigate—where braindance, extremely saturated beats, low-end breaks, and explosive rhythms collide with the might of a fully-loaded semi truck.
Benge :: Polyrhythmic Electronica (System Of Objects)
Rather skeletal in nature, Polyrhythmic Electronica is mainly dialed in on the glitched out percussion from classic drum machines that sit comfortably atop squelchy synth bass tracks—best enjoyed on a night time drive through the city.
NOT_MDK :: The 140 Album (Wémè)
For this renaissance name, the style has changed: Steady 70/140BPM grime beats now meet IDM and evocative breaks.
Recent Posts
Marconi Union :: Multiforms: Ambient Transmissions, Volume 3 (Just Music)
Danalogue :: Teleportations (Castles In Space)
Job Karma :: Tschernobyl Vinyl Re-Release (Rope Worm)
Beyond the Clones :: Kerberos Directory System EP (Self Released)
Poppy H :: SICK STREET (Self Released)
comdex :: A Wave Of Alarm (Rainbow Bomb)
Vaag :: Tracker Mini Works (Self Released)
Dragon :: Ouroboros (Evel)
