Hayter and Milium draw on a spread of styles to produce their unique sound, toying with the seriousness of genre tags while seriously surprising the listener along the way.
Recent Posts
Antonina Car :: Immersed Sensibilities (Time Released Sound)
Immersed Sensibilities is an attempt to transcribe feelings, stories, and events into a synthetic, self-contained sonic universe.
Michael Valentine West :: COMMS EP (Polygon Network)
Where broken sound bytes and data crunching tend to blend, the tiniest melodic hiccups transition into densely packed electronics.
K.L.O :: Slow Mode (Colony Productions)
That smudged area between hip-hop, bass music, turntablism, manipulated vocoders, and abstract electronics is where you’ll comfortably find K.L.O’s Slow Mode album.
Wilder Gonzales Agreda :: 1994 EP (Superspace)
Are these opposing sonic forces or perhaps distant stars finding each other in The Milky Way? Ultimately, 1994 is a pleasant sojourn and a tangled mess, and we enjoyed every minute.
Broken Circuits :: Standing in Ruin EP (Errorgrid)
For a 4-song EP, Standing In Ruin bowls in and punches like a double album by Dimmu Borgir.
Badun :: Dreamers in the System (Leek)
In the same way that graffiti is written, painted, or drawn on a wall or other surface, Badun paints on an audible canvas that is quite flexible and confounding.
Joachim Spieth :: Terrain (Affin)
There are no sharp edges here, merely rising and falling tones, hillocks and nooks where sound pools and swirls, eddying slowly before being released into the ether.