Experimental Electronic Music
This is not made for rest and possible sleep, the engagingly simple sound has an illusion of complexity and is interesting to take in because the territory is completely alien even to most of the other popular space music and mechanically synthesized soundscapes.
Its deep textures and emotive draw take us through tunnels of soundscapes and raw echoes, the grooves precisely crafted and stretched.
Whatever the destinations, the path goes through a multifaceted semi-percussive transformation, weaving melodic fragment elements and cycling through the continuum.
Behind ’t Gerius is Belgian sound-wrangler, Daniel, who’s hit on a hermetic audioworld at once delicate and distorted, refined and uncouth; sound seen as if through a glass blurrily, yet sharply—alive with microsound like a fungi forest close-up.
The ambient backdrop Ard Bit waves as to underline the quiet and slow country life depicted in the field recordings.
I half knew what to expect, but was also pleasantly surprised as some of the most unsettling aspects of their work are placed right in your field of view; challenging sounds and structures…
80 minutes of ambient drone; one might think he had invented time travel as I clearly lose the ability to chronologically track where I am in the day.
Marcellus Lewis bequeaths one of the most lofty releases of the year, confirming him as a master of world ambient pop.
The results are captivating as Dorosoto and Hanut Munson both display downtempo, emotive, and saccharine rhythms playing off each other.
Nine tracks span around 40-minutes and the thorough sound vistas offer delicately shifting ambient-techno realms blending with pitter-patter glitch’n bleeps debris and braindance shards.
Two artists treading the lines between darker industrial tropes and emotive electronic passages.
