Ruggeri can be very warm, when he drops big, fat pianos notes, likewise electronic beats, but his perfectionism does tend to keep the listener at […]
Author: Stephen Fruitman
V/A :: Kollektiv Artists Volume Six (Music Kollektiv)
Making Russia safe for underground electronica, Music Kollektiv is a burgeoning Moscow – and web-based powerhouse dedicated to “finding unconventional rhythms and telling their stories.” […]
Woebot :: Chunks (Hollow Earth)
“Electric guitar music is the true birthright of the White British Middle-class Arty Intellectual,” Woebot stated upon the release of Moanad, but it is on […]
V/A :: Air Texture Volume I (Air Texture)
Separately, two engulfing, flowing narratives. Perhaps Thomas’ is a shade darker, a bit nautical, while van Wey swoops over dry land through partly-cloudy skies. Presented […]
Bruno Sanfilippo & Max Corbacho :: Bioma (ad21)
With the bell, bowl and chime buttons on their various Korg synthesizers, the duo replant the familiar Spanish countryside with even richer botany, humidifying the […]
Tatsuro Kojima :: 16g (Audiobulb)
For 16g has sharp corners, razor-thin edges and taut wires that require some soft undergrowth. It spends much of its time slicing through the air […]
Markus Mehr :: In (Hidden Shoal)
The German experimental ambient artist marshals the same array of computer, synthesizers, guitars and distortion pedals used on his 2010 debut, Lava, and opens with […]
First Human Ferro :: Stardust (Nitkie)
Stardust is a space opera that tells rather than romanticizes how the stars were reached. Olegh Kolyada hails from Zhytomyr in the Ukraine, birthplace of […]