Little-Twister vs Stiff-Neck is skinny dub adorned with beads and body paint that throws elbows at genre expectations. Luca Fadda and F.S. Blumm established the […]
Author: Stephen Fruitman
Caught in the Wake Forever & Crow Versus Crow :: Excommunicado (Crow Versus Crow Editions)
The title Excommunicado makes the theme evasive, but while thwarting definitive interpretation, the sound and visuals embrace one another, proving the duo were anything but incommunicado. […]
Ethernet :: Tanuki Dreams (gterma)
A magic theatre that encourages the mind to wander and get lost, listeners understood as receivers of stimuli in an environment of sensory patterns to […]
James Murray :: Mount View (Slowcraft)
A sadder album than expected, but what comes from the heart, enters the heart. After Floods and The Land Bridge comes Mount View, “the first […]
V/A :: Birds of a Feather 7-12 (Flaming Pines)
Twelve birds in a modified birdhouse are way better than two in the bush. Flaming Pines has just wrapped up its beautifully beaky Birds of a […]
Stereocilia :: Murmurations (Echoic Memory)
With his guitar, London’s John Scott has found an Archimedean point from which he can move the world. Murmurations by Stereocilia With his guitar, London’s […]
Ulrich Troyer meets Georg Blaschke :: Somatic Soundtracks (4bit)
The results “form a symbiotic unit” of sound, movement and space. Somatic Soundtracks reworks scores composed for choreographer Georg Blaschke during the period 2010— 12. Ulrich Troyer explains […]
AMBIANCÉ :: The Longest Movie Ever
Weberg characterizes Ambiancé as the intertwining of space and time into a “surreal dream-like journey beyond places.” Swedish visual artist Anders Weberg is in the […]
Exit in Grey :: Shadows of Stillness (Muzyka Voln)
Exit in Grey provides us four stunning portraits of stillness, before they are softly blown away by solar winds, like sand paintings. In his liner […]
Deaf Center :: Recount (Sonic Pieces)
Recount seems more like an observation deck towering over a mist-shrouded landscape. Described as a “bridge” between albums, Recount seems more like an observation deck […]
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