With guitar and unspecified electronics, the Sea of Nebukawa is portrayed intimately. It feels as though we are being taken via slopes and slipways and ginnels […]
Author: Stephen Fruitman
Uhushuhu :: Long Songs Pleasant for Hearing (Zhelezobeton)
An impressive suite merging technological and natural mysticisms. A trio of debut scapes by Uhushuhu, a project sprung from a Russian arts collective known as […]
Core of the Coalman :: Amphibious Radost (Kirigirisu)
As Boehringer states, the piece wraps and unwraps around itself. Over the course of three quarters of an hour, it wraps itself around the mind […]
SOFT TOUCH :: 3View
With only a handful of releases under its belt so far, Nantes-based Soft is shaping up to be a new preferred haven for the discerning […]
V/A :: Wishes for Tim (Vent)
Tim David Brice’s partner Julia Dewhirst has curated Wishes for Tim with meticulous extravagance. The Tim for whom these wishes have been made is Tim David […]
France Jobin & Fabio Perletta :: Mirror Neurons (Dragon’s Eye)
The lithe, almost see-through ambient of Québecoise France Jobin combines with Fabio Perletta’s fly-eyed dot matrix view of the world. The lithe, almost see-through ambient […]
Orla Wren :: Soil Steps (Oak Editions)
The internal and the external interplay—birdsong, thistles, mills, taverns and hostelries, the pots and pans dangling from a tinker’s cart, toys, raindrops, and happenstances. Sound, […]
Sonja Berlin-Jones :: Phlegmgemming (Rest Relax)
After hundreds of hours of music on Bandcamp and in tiny handmade, self-released editions, Phlegmgemming is the first “real” (his word) release for this artist, which […]