Curator of two small, exciting imprints, Sheepscar Light Industrial and Cherry Row Recordings, Daniel Thomas‘ discography throbs with almost exponential growth. Here are a few […]
Author: Stephen Fruitman
Porya Hatami :: Land & Land Remixes (Inner Ocean)
Corollary to Inner Ocean’s re-release of Porya Hatami’s Land (originally only 250 copies on Somehow Recordings) comes an addendum of remixes. A genuine sense not […]
Vetrophonia :: Kurutta Ippeiji (Zhelezobeton Film)
While deftly flirting with Japonism and sometimes quite literal in reflecting the images on the screen, their expressive sensitivity instills the images with the strong storyline it […]
Nobuto Suda :: Transitoriness (Organic Industries)
Over nine, numbered tracks, Nobuto Suda musters a slew of acoustic, electronic and digital music-making devices and redacts the world like a palimpsest, written on and erased over […]
Tropic of Cancer :: Restless Idylls (Blackest Ever Black)
Slow burning from the start, her singing is sewn into the drone, deep beneath the echo at times. With a string of gigs, singles and EPs […]
More Black Then God :: 1964 Zen in the Drones (Aetheric)
More Black Then God creates dank storm culvert ambient in 1964 Zen in the Drones. Sean Derrick Cooper Marquardt of Berlin via Chicago has released an […]
Quasi Dub Development :: Little-Twister vs Stiff-Neck (Pingipung)
Little-Twister vs Stiff-Neck is skinny dub adorned with beads and body paint that throws elbows at genre expectations. Luca Fadda and F.S. Blumm established the […]
Caught in the Wake Forever & Crow Versus Crow :: Excommunicado (Crow Versus Crow Editions)
The title Excommunicado makes the theme evasive, but while thwarting definitive interpretation, the sound and visuals embrace one another, proving the duo were anything but incommunicado. […]
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