The atomic age now seems retrograde and kitsch, as does much of The Phone’s sound. But it is this backwards look that gives the album […]
Author: Robbie Geoghegan
Perseus Traxx / Aroy Dee :: Hope (Photic Fields)
Perseus Traxx and Aroy Dee take and develop this aural expression with a subtle stratification, draping murmurings of Techno onto gentle House movements. But it […]
Drinking Electricity :: Overload + Singles (Medical)
Electronics and Post-Punk are the central sounds, but a spread of influences (and an inherent quirk) give the group an individuality. An obscurity dusted down […]
Global Goon :: Plastic Orchestra (030303)
Since Rephlex, Taylor has floated across a number of labels. He has tested acid sounds with WeMe Records, released Roland swirls for Planet Mu and […]
Stress / Borghesia / X Ray Pop :: 3view (Dark Entries)
Stress are emblematic of the New Wave sound and expertly deliver the anxiety and uncertainty of the 1980s through strings and synthesizers. Borghesia come from […]
Cygnus :: Newmark Phase (Central Processing Unit)
Immediate comparisons come from labels like Cultivated Electronics, Last known Trajectory and Solar One come to mind. Newmark Phase has electro at its core whilst […]
The Exaltics / Morphology :: The Exaltics Meets… (Solar One Music)
Witschakowski has consistently tested the definitions of Electro, ranging from soulful mechanics to red-blooded machinery. On this EP he does so again. Likewise, Morphology play […]
Star Pitsa Acid Kru :: Bacardi (ProForm Series)
A vast amount of house being released is emulation, replication of concepts and sounds explored by US and European artists. Star Pitsa are not reinventing […]
V/A :: World Electronix Volume 1 (Cultivated Electronics)
Of late the UK imprint has been focused on artist EPs, but for its latest Sync 24’s label returns to it foundations with the start […]
Daniel Andréasson :: Bath Trax EP (Tabernacle)
Andréasson utilises echoes of Techno whilst folding swirls of modern Electronics into the currents. Aspects of the dancefloor are adapted but ultimately take a backseat […]













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