As Detroit Underground continue to expand their roster, there has always been a key focus on intelligent dance music, all of its subtle mutations, ricocheting […]
Author: Pietro Da Sacco
Crisopa :: Biodance (n5MD)
While its exterior may shed elements of sun-soaked shoegaze balanced perfectly with lively electronics, Biodance is an abundant kaleidoscope of feel-good ear candy that will […]
Qebrus :: Exophobia (Bedroom Research)
As loyalists wait for Booth’n Brown to assimilate their frequency interrupts, now would be the time to digest Exophobia‘s gelatinous beat crunching rhythms as they […]
Enabl.ed :: Paranoid Nostalgia EP (Enpeg)
Enabl.ed continues to produce a steady vehicle of rhythmic speed-bumps that packages itself uniquely in a playground of drenched glitch. It’s been an prolific few […]
Lodsb :: Aero (The Centrifuge Agency)
Deriving DSP-bound electrical pulses dipped in muddy soil, each augmented slice of high-pitch-low-pitch squelches offers a detailed perspective of how machines can transform into artistic […]
Phoenecia :: Demissions (Schematic Music Co. / Detroit Underground)
Not only are the duo of Joshua Kay and Romulo Del Castillo still pursuing sonic creations in a myriad of formations (film, soundtracks, collaborations and […]
Pauk :: Snailsʼnʼdragons (Enpeg)
A playful balance of Karsten Pflum and Penfold Plum (or shall we say Pflum’n’plum?) — crafty, upbeat and splattered with emotional piano solo’s next to […]
Subheim :: No Land Called Home (Ad Noiseam)
Bass lines at center stage, NLCH is a masterpiece of tumultuous electronics and penetrating rhythms meant more for midnight desert gatherings or full theater engagements […]
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