Experimental Electronic Music
I’m really enamored with how Xylitol always manages to merge these two completely unrelated universes, the almost new age aesthetics with the energy and franticness of the breaks, sometimes to a point where they don’t even merge, rather they seem to be playing separately and turn into a completely overwhelming experience.
A homogenous and well orchestrated performance, making every musician involved a fundamental component, as each adds their own little piece to form a bigger, more satisfying puzzle.
Almost everything about this LP is really engaging and well executed. It nails its details, there’s so much variety in the longer tracks that it’s difficult to feel bored by their repetitive atmosphere or palette, as all the variations or added textures f5point6 displays make these tracks work incredibly well.
Some sort of obscure, magical ritual this is; surely an engaging one, as this Tam Lin LP tries to immediately hypnotize you as it begins. It does succeed, indeed, as you’ll likely be asking yourself what is happening throughout the entire album.
Simple, minimalistic, and incredibly catchy synth-based pop tunes is what you can find in Demons.
Behold! An unknown beast! One that you may be able to spot while taking a walk in the frosty and mysterious soundscapes that Folklore depicts, a good alternative for those who don’t live in snowy areas.
Your Community Hub is a great take on a classic style of electronic music. While it’d be easy to discredit this LP as just rehashed old techniques, the execution is what ultimately sets it apart, so much so that if this style happened to resuscitate in a couple years to come, Warrington-Runcorn New Town Development Plan would be one of the names to hail and remember—and I promise—it’s not that challenging to do so.
Two pillars of ’90s techno, Speedy J and Surgeon, team up as Multiples to give birth to, indeed, almost two hours of discomforting and rather challenging rhythms.
Sti.ll is overall smoother and more pleasant, which is really fitting for the intimate and subtle sentiment of the original LP, making it a re-listen that fans of the original should not miss out on.
The Flying Dagger displays a solid batch of tracks that go as hard as the concept behind the project would lead you to believe. To match various fight scenes and the thrill of revenge, the beats on this EP do need to go rather hard, and they certainly succeed at that.
Masaya Ozaki explores various sound sources on Mizukara and then manipulates them into comforting or sometimes discomforting new textures. There’s various acoustic instruments that get played with, contributing to the album’s overall variety and different soundscapes.
