Delivering leftfield electro manipulations and an innovative approach to sound art, Jeff Nagel and Kris Krause take a few minutes to answer Five questions regarding […]
Author: igloomag
Five questions for Dynamophone
Dynamophone, headed by Evan Sornstein, is set to purvey euphonic experimental music with a tinge of enigmatic (ambient) beauty. Find out where the label is […]
Five questions for Herb Recordings
Craig Murphy lets igloomag.com into the lush fields of Herb Recordings‘ musical spectrum and discovers that there’s a lot more going on behind the scenes […]
V/A :: Physic Or Surgery (Highpoint Lowlife)
Gems continue to penetrate the ears with repeated listens; punctuated beats, distressed rhythms, microscopic funk, underwater meanderings, dub-infused waveforms, calibrated noise and pleasant distractions are […]
Aerosol & Dalot :: Double review (n5MD)
Fusing equal parts emotive instrumentation with serene layers of ambience, both Aerosol and Dalot offer n5MD their latest audio paintings. Aerosol :: All That is […]
Five questions for Detroit Underground
Sohail Azad (aka Kero and Detroit Underground mastermind) is at the forefront of entrepreneurial audio / visual design. Having cultivated precision experiments in electronics for […]
Tropa :: Love, Songs, and Alibis (Outside)
Bass acting as the main ingredient, warm blips and bleeps cascade across dense layers causing this visually stunning digipak to flicker amongst distant cousins such […]
Five questions for Buried In Time
Steve Westbrook, creative sound director for Portland, OR-based Buried In Time, answered five questions and reveals to its audience the means, methods and madness involved […]
V/A :: Tribute to Nikola Tesla (World’s Most)
Diving through a plethora of magnetized formations, each offering scrapes the surface of IDM, broken beat, drill ‘n bass, micro-rhythms, distorted time signatures, shredded ambient […]
Einóma :: Lost & Found EP (Shipwrec)
Perhaps better fit for small gatherings of like-minded individuals in a run-down venue, each of these three tracks are truncated by subterranean beats, rolling bass […]










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