Synth

Tag: Synth

WE FORFEIT (Mix 16) on Radio Relativa – Show #1

Features 11/03/2019 by Robbie Geoghegan

For the Radio Relativa show the lads go through their record collections, picking out teenage favourites, pensive tech-poetry and modern day melters. The result? A […]

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Hyboid :: Strange Signals (Astro Chicken)

Reviews 10/15/2019 by Robbie Geoghegan

This double LP is structured as an album of two separate concepts. The first focuses on the machines, the warm melodies and playful percussion, with […]

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Staatseinde :: Dreiheit (Onrijn)

Reviews 08/18/2019 by Robbie Geoghegan

Staatseinde’s music calls upon many inspirations, the science fiction dreams of computer music with the longing and romance of wave. The trio comment on the […]

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WE FORFEIT (Mix 14) :: DJ Insofar As He Didn’t Want To Be One

Features 08/03/2019 by Robbie Geoghegan

DJ Insofar As He/I Didn’t Want To Be One—a new member of the WE FORFEIT family—offers up a scintillating selection that spans a spread of […]

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Roberto Auser :: Chaos Never Dies (Femur)

Reviews 07/16/2019 by Robbie Geoghegan

Chaos Never Dies is the embittered lovechild of EBM and techno, a harsh and unrelenting hybrid of both styles dipped in a pool of ill-will […]

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EBE-2 :: Waves of Time (Noise To Meet You)

Reviews 07/15/2019 by Robbie Geoghegan

Trying to pin down this newcomer is no easy feat. No one genre fits the mould set by this brave machine musician, making his sound […]

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Elsewhereness revisited #12 sleep for all of eternity

Features 06/29/2019 by Alan Lockett

Elsewhereness revisited is an occasional feature documenting the drift at the margins: ambient gasbagging and blurb blah, ’tube-d, ’cloud-ed, ‘n’ ’camp-ed up, complete with companion mix, Elsewhereness […]

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V/A :: VV.AA_320 (Waste-Editions)

Reviews 06/22/2019 by Robbie Geoghegan

VV.AA_320 summarises Waste-Editions. Four tracks that blend styles as diverse as horror disco, synth wave, and electro whilst keeping an eye firmly on the floor. […]

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Max Würden :: Format (A Strangely Isolated Place)

Reviews 06/16/2019 by James Knapman

Though it may sound like hyperbole, the absolute masterpiece that is Format deserves to award Würden a place among the likes of Eno, Laraaji, Jenssen, […]

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