Experimental Electronic Music
French sound artist and audio collage sculptor yyate (aka Vincent Caylet) crafts Société oblique as a delicate collision of noise and ambient haze, weaving field recordings, fractured electronics, and ephemeral textures into hypnotic drift. Released on Perceptual Tapes, the album hovers between abstraction and intimacy, where microscopic sonic gestures and dissolving tones evoke both fragility and quiet transcendence.
Relay For Death’s Mutual Consuming is a harrowing plunge into sonic decay — a corrosive, hypnotic environment where noise becomes ritual and collapse becomes clarity. Released on Helen Scarsdale, the album transforms the Spikula twins’ obsession with annihilation and survival into one of their most immersive and unsettling works to date.
Released on Lawrence English’s long-running Room40 label, Continuity is a conceptual and sonic triumph—an ambient album that dares to interrogate the very structures through which we process and interpret the world.
The three pieces deliver an emotionally transportive, transformative, spacious, ominous, and lamenting experience for meandering string textures and slowly-evolving patterns. A sensient and uplifting spiritual […]
Such an exploration might seem at first more fitted to harsh noise or the post-industrial genres, but the sounds here are lush and radiant, calming, relaxed. There is the pungent fragrance of death present, but it isn’t cloying, but something familiar and comforting.
Their approaches, methods, and sound signatures are relatively aligned, revolving around microtonality and meditative spiritual stillness. Such a creative dialogue can only be harmonious, guided by an imaginative force that invites the listener on a mental journey elsewhere.
Anache plays a lot with each sound he introduces, and instead of striving for some insane out-of-this world timbres like you may sometimes hear in guitar-driven electroacoustics, he focuses more on building with the more subtle tones he’s creating. Layering and constant variation make this a worthwhile LP for fans of atonal electronic music.
Francis Gri is the kind of sound artist whose work deserves to be discovered by a wider audience of ambient enthusiasts, seekers of tranquility, and those drawn to introspective, quiet moments at home. Much like an old friend, Bruma’s music offers comfort and solace, gently accompanying you through times of grief and personal reflection.
An eerie, hypnotic atmosphere permeates Soplo, with its ambivalent, wandering melodies, flowing synth patterns, unpredictable experiments, and manipulations, all complemented by processed field recordings.
Some albums get your brain working. You’ll plant some conceptual seed in your mind, and you start thinking or even philosophizing. It depends on the planted seed, how your brain works, mental (dis)abilities, and, oh yeah, the amount of coffee you had that day.
The project focuses on sound textures, an exploration rather than a pure melody, at others, the feeling comes across like the low-end rumble of a beat-less Berlin nightclub seeping up through the floorboards.
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