Displacer revisits this iconic record and brings some friends along to partake, creating a flowing and textural audio assault that represents the entire dark electronic music landscape, likely for another decade.
Tag: Michael Morton
Displacer :: Missing Warriors (Component)
Plenty of moods, variations and sound colors, timbral exploration make this organic and drone release worth the discovery. Recommended for fans of Robert Henke, Atomine […]
Displacer :: The Face You Deserve (Hymen)
A solid, and aggressive outing of adventurous, forward-thinking, and layered electronic music that deserves attention in 2017 Best Of lists. Displacer, also known as Michael […]
Displacer :: Electric Dreams (The Crime League)
An assured and mature sound that manages to rescue IDM from its solipsistic focus on conceptual electronica. Displacer’s Electric Dreams is an often dark, moody […]
Five questions for The Crime League
The Crime League is a Toronto-based music label originally established in 2006 as an outlet for b-sides of the electronic music project Displacer. It has […]
Displacer :: Curse of the Black Lotus EP (Crime League)
Three remixes—one of them by waveTangent—and two originals dip back and forth between rusty machines, faded oscillators and lively audio deconstruction. Michael Morton digs deep […]
Displacer :: Foundation (Hymen)
A mixture of solids, liquids and opaque gases, each piece rattles effortlessly as a series of ingredients melt together in a fuzzy subatomic layer. Submerging […]
DISPLACER :: Renaissance Festival Mix (Re-Edit)
Fresh off of his latest outing with Tympanik Audio (Night Gallery), Displacer (aka Michael Morton) performed live in Montreal, Canada at the Renaissance Festival (November […]
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