Experimental Electronic Music
Edward J’s Azurite showcases masterful beat juggling and melodic interplay, with its title track a luminous dive into breakbeat and IDM-infused sonic textures. Across this five-track suite, subterranean bass currents, micro-glitches, and fractured rhythms ripple through each piece, building a shadowy, immersive soundscape that pulses with funk and subtle forward momentum.
Drum and bass is more than just a high-energy electronic music genre — it’s a cultural movement born in London’s diverse neighborhoods, shaped by the […]
Erratic and unsettling yet undeniably gripping, this set builds upon warped foundations of industrial dub, mutated jungle, and disfigured hip-hop structures. It’s an excavation—reaching backward while marching toward a future of controlled chaos and sculpted dissonance.
Through every granular texture and skewed rhythm, Planet Mu reaffirms its place as one of electronic music’s most vital and visionary institutions.
Fuck The Legal Stations is both time capsule and time machine—a heavy, heady transmission from the past that looks defiantly forward, remixing the rubble of yesterday’s underground into tomorrow’s auditory blueprint.
Caspian’s Insomnia EP, a four-track plunge into the subterranean pulse of breaks and warped rhythms, is a masterclass in sonic intensity.
Sleek Vibra is a sensory onslaught—audio shrapnel whirling from all directions—casting the label’s darkest silhouette yet. This is power electronics refracted through the cracked lens of retrofuturism, where the future is haunted by echoes of an analog past.
Relentless, inventive, and impossible to ignore—this is electronic music at its most unrestrained. No pause, no breath—only forward motion and beautifully wrecked.
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week The Psychedelic Furs, Omni Trio, Toasty, and Isaac Hayes on the Maine turnpike.
These eight tracks, ranging from the mid-90s IDM boom to today’s high-level production qualities, use lost time capsules and sophisticated synth-techno fissures to create detailed sonic shadows and throbbing breaks, bass, and broken beats.
If you’re in the mood for good modern IDM, Feal has got plenty. More specifically, if you want to put on a record and be sure it offers something valuable from start to finish, Feal has also got plenty of that. If you want a good amount of variety, Feal is where you should be headed.
