Experimental Electronic Music
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
Concept Record not only works as a creative tool; it demonstrates what can be created when Professor Ben’s instruction is heeded. The concept is to use this record alongside other records to make new records, while providing a legitimate D.H.S. album of its own right—one that embraces the features that help make physical records so fun and appealing.
Mind Maps 7 stands as another richly rewarding chapter in an extraordinary body of electronic music—one that continues to push gently at the boundaries of ambient, downtempo and sample-based composition without ever losing its sense of warmth or wonder. Long may these maps continue to unfold, pointing listeners towards the kind of electronic music that still feels capable of surprising, transporting and quietly reshaping the landscape around it.
Originally published in Melody Maker on May 11, 1996, Mark Roland’s review of Meat Beat Manifesto’s Subliminal Sandwich captured the arrival of a record that would go on to become one of electronic music’s most influential and genre-defining releases; republished here with permission, 30 years on.
It’s a meditation within a meditation, nested inside a larger invocation that defines the essence of Actions Made Audible—a work that firmly places itself within the Berlin School of music. Precision-engineered machinery with analog Mellotron tape loops feature layered structures, ambient textures, and an introspective flow.
More than just a stopgap to chew on while awaiting a new studio album, Future Transmissions stands as an absorbing compilation that perfectly showcases how the band sounds today, proving beyond doubt that it has definitely not lost its special touch.
With this highly anticipated EP, Yellow Machines raises the bar; locking down some of the best producers in the experimental electronic field and easily becomes a contender for best EP of 2024.
This is not a collaboration you thought could happen or would happen. Extinct reminded me a bit of the more noisy performances at the legendary Maschinenfest festivals I’ve attended over the years. Like pre-Hands ORPHX or early Synapscape. Become reacquainted with some beautiful music / rhythmic noise.
Extinct sees the duo take listeners on a transcendental journey, focusing on the dismantling of beat and structure and recycling the result through layers of beautifully crafted noise and feedback loops, giving birth to new rhythms buried deep in the dirt.
Further Translations is a collection of remixed works by Kenneth James Gibson. Each of the contributions examines, infers and expands upon the original materials with […]
Explosive right from the start, Jack Dangers and Ben Stokes need no introduction. Their footprint in the breaks, bass, and baffling bleep techno/electro scene has inspired a whole generation of enthusiasts trying to catch up.
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