Algorythm of Hate is an intense plunge into the wreckage of noise and industrial dissonance—a raw, calculated demolition of structure that invites listeners to find order in the ruins.
Tag: IDM
Vaag :: Vague (Detroit Underground)
Marc Brinkerink, the Haarlem-based sonic architect behind the moniker, dissects glitch into finer, more intricate fragments—hyper-glitch, laced with shadowy undertones.
BUNKR :: Antenne (Remixed) (VLSI)
Antenne (Remixed) is a concise yet potent collection that illuminates the vibrant edges of experimental electronic music—reimagined with a fresh pulse, not as a faded echo of the past, but as a bold, forward-looking resonance.
Johnny Jitters :: Saturation Index (Aud-Art)
Saturation Index unfolds naturally, revealing a stream of delicate, fluttering melodies that craft an elegant balance between the comfortingly familiar and the boldly new.
secret getii :: xochicuicatl EP (Appendix.files)
The entire suite is a seamless vapor trail—translucent, immersive, and exquisitely understated. xochicuicatl is a terrain of micro-moments and textured silences, a meditative odyssey that rewards every minute of attention.
Fallen :: We are lone swans floundering in a deep river or sudden magic (Shimmering Moods)
Here, looped beats, sharp-panned synth lines, sparkling sampled piano, and glitchy “post-rock” electronica remind me of the early n5MD releases from the likes of Lights Out Asia, Epic45, and Near The Parenthesis.
4T Thieves :: The Golden Age (Rednetic)
Like light refracting through timeworn glass, The Golden Age flickers between eras, drawing us in with delicate tones and elemental textures. It is a melodic tapestry of memory, a gentle parting from a cherished land, and a luminous haven sculpted in sound.
Ben Frost :: Under Certain Light and Atmospheric Conditions (Mute)
Unlike the usual live record, Under Certain Light and Atmospheric Conditions refuses to offer the listener a concert experience by proxy, to be had in the comfort of one’s own headphones. The inclusion of these field recordings, and the fact that over half of the tracks are soundcheck improvisations and unreleased compositions, distances the album from a simple celebration of his past catalog.
The Snodgrass :: Fragments Of A Nation EP (Self Released)
Pieced together from scattered remnants of early-2000s sessions intended for The Snodgrass’ long-lost debut It Takes a Nation of Indie Rockers to Hold Me Back, Fragments Of A Nation is both a resurrection and a revelation.
OKADOSH :: Through All (Self Released) — [concise]
An eleven-part odyssey of decayed textures and fragmented circuitry—a collage of unpredictable tempos, splintered environmental echoes, and primal rhythmic relics spiraling in every direction.
25 Years of Igloo Magazine (Evel / Igloo Trax)
This sprawling, sandblasted opus brings together a stellar constellation of avant-garde visionaries—Meat Beat Manifesto, Proswell, Cathode Ray Tube, AZ-Rotator, Rontronik, ΠΕΡΑ ΣΤΑ ΟΡΗ, Scape One, Roel Funcken, Deru, Kindohm, Vytear, and Robert Logan—each sculpting sound into surreal, shimmering form.
Recent Posts
Yu Su :: Foundry (Short Span)
SCALD :: Asphyxia (Industrial Coast)
Eko :: The Mirror World (Evel)
Yulyseus :: Nothing Under Heaven (n5MD)
Memory Effect :: Ritual Machines (Augment)
Puscha :: Not That Special (NEN)
Anhnch :: Cartography of Expression (Self Released)
MQSA :: Enmity Voidance EP (Self Released)
