IDMMXXI-R flexes all manner of sound sources—broken, shattered, and retrofitted with a dense consistency.
Tag: IDM
Telephasycx! :: Spherical Coordinates EP (brokntoys)
The tension builds with industrial abstracts on Telephasycx!’s 4-track Spherical Coordinates EP while echoing through dystopian sandstorms.
Humanoid :: sT8818r Humanoid (De:tuned)
A record that once again proves the dynamism of early techno and never die attitude of the TB303.
SIMM :: Too Late To Dream (Ohm Resistance)
A subtly extreme culmination of sandblasted dub extracts and tempered downtempo slices.
Tescon Pol :: Object or Entity EP (Self Released)
Mic Finger and Ariel Johannessen (aka Tescon Pol) continue to muster abstract yet surreal electronics as Object or Entity further defines their broken rhythmic sputter to a tee.
Stephen Hummel :: Component (Self Released)
Built from a smorgasbord of components, these six tracks expand and contract to form visceral electronic mayhem with very little breathing room.
🛸 (X4)
There is something for everyone: acid, braindance, experimental electronics, IDM—even some slightly more downtempo numbers too.
WE FORFEIT :: Radio Relativa #17 LIVE @ Femur & Friends w/ Arch & Juanpablo (Frigio)
With their first gig since January 2020, WE FORFEIT were delighted and more than ready when asked to share the hallowed Specka stage (with a brand new Funktion 1 sound system) with Arch and Juanpablo.
Seefeel x KMRU :: Rapture to Rupt (Warp)
Over the past couple of years they have propelled as a household name in the world of ambient, experimental and field recording—so there couldn’t be someone more admirable to deliver such a rich mix through a genre they are now notorious for.
Ariadne’s Labyrinth :: Ridiom EP (Self Released)
The London based artist rounds off the year with an exemplary self-released 4-track titled Ridiom. Infusing influences from the likes of early Warp and Rephlex into a classical array of layered spontaneity and detailed composition.
Marco Simioni & Mattia Saviolo :: Zeitgeist: Ambient Music from 2012 to 2020 (Force Inc. / Mille Plateaux)
What is the real appeal here though, is the conviction in the use of tempo and pace, as to not get too carried away with the under current of bass and bleeps that is within some of these ambient compositions.

















