The self-titled debut under the latest alias is poetic and melodic, as Loraine James explores vocal practices drenched in harmonic environments and everlasting reverb chambers.
Tag: Ghostly International
Igloo Magazine :: Best of 2020
“In the midst of a global pandemic that has dominated 2020—roaming across a cinematic soundscape in flux, and surveying darker, perhaps stranger chasms—(artists) draw inspiration […]
Chad Mossholder :: Receiver (Somewherecold)
While listening to these tracks one has to wonder if they are the receiver in the title or the transmitter of these tones and moods […]
An Igloo guide to Bandcamp buying during revenue waiving
Several of you will already know that Bandcamp had done a day of waiving revenue a few weeks back. They’re doing it again on Friday […]
Kaitlyn Aurelia Smith :: The Mosaic of Transformation (Ghostly International)
The album is sonically gorgeous, but also very coherent and tight—clocking at under forty minutes with never a moment spent in self-indulgence. Kaitlyn Aurelia Smith […]
Telefon Tel Aviv :: Dreams Are Not Enough (Ghostly International)
The return of Telefon Tel Aviv is familiar and yet completely new. In some ways carrying forward the sound of the older releases, but this […]
Igloo Magazine :: Best of 2018
With contributions from Alan Lockett, Chang Terhune, Chris Amell, Clint Anderson, Eric Sorenson, Philippe Blache, Pietro Da Sacco, Robbie Geoghegan, and Will Andahazy, Igloo Magazine has […]
Steve Hauschildt :: Dissolvi (Ghostly International)
The framework for the record is largely minimalistic techno but could please listeners of downtempo, IDM, and ambient lovers alike. An ideal album for times […]