Experimental Electronic Music
Kin is a record that offers hazy soundscapes, with layers of noise stacked on top of serene melodies, making it almost seem like a series of distant tunes you can’t quite recall. There’s a faint melancholy woven through it, sure—but that’s not what keeps pulling me back. What really hooks me are the songs themselves; track by track, they’re just exceptional.
Across 2025, hundreds of releases surfaced, with December granted space to settle. From that sweep emerged a carefully shaped collection of favorites, each paired with links to Igloo reviews and release pages. Arrangement follows artist names in alphabetical order, while a snapshot of tracks lives on our Soundcloud playlist, joined by random artwork highlights. No crowns, no rankings, no runners-up—only records that resonated.
UPIC Diffusion Session #23 begins with a cascade of glitchy static tones, each descending in pitch and rising in volume. They converge briefly around a central point, only to spiral down further as we begin to hear the distinct click of switches being flipped.
Dracones is a raw, powerful collection of compositions, pulsing with intensity and depth. It’s not a journey for the faint of heart, but for those drawn to music that is both dark and hauntingly beautiful, it strikes a deep, resonant chord.
Russell Haswell is a 55-year old electronic musician and visual artist, most well-known for his extreme computer music. He currently lives in Glasgow, having worked together with Aphex Twin, Florian Hecker, Merzbow, Mika Vainio, Yasunao Tone and Peter Rehberg and released on labels such as Warp, Editions Mego, and Diagonal.
At the send+receive Festival of Sound, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle announced the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides titled Dessogia / Queetch / Fauch.
The listener is transported in a rolling ambient vastness connected to natural elements and morphed field recordings, for a breathing, lively and emotional embrace which progressively reaches a mesmerizing climax.
Informed by the environment in which she grew up, the region of Asturias in Spain, Azabache flows with a mystical and dark ethereal aura…
After covering several hundred releases in 2021, many notables—including links to their respective Igloo reviews or release pages—are cataloged here. As usual, there are no […]
Omniverse is otherworldly in a futuristic and Sci-fi kind of way, yet it holds all those classic sounds emanating from a 1980s inspired European synth sound. From this release an intricate soundtrack emanates, often touching upon the fringes of techno rave, yet it never sounds recycled in any way and holds its own originality.
“In the midst of a global pandemic that has dominated 2020—roaming across a cinematic soundscape in flux, and surveying darker, perhaps stranger chasms—(artists) draw inspiration […]
