Are you less concerned with musical genre and formula than with emotion and compositional skill? Is it dark outside? Are you sitting comfortably? Are your […]
Tag: Displacer
DISPLACER :: Igloo Mix
Displacer (aka Michael Morton) recently submitted an exclusive Igloo Mix, one that represents current listening all interconnected like a simmering electronic soup. Head of The […]
Return of the Dragon :: Dragon’s Eye Recordings Relaunch
News of the return of the Dragon… Dragon’s Eye, that is—a label whose roster’s diverse esoteric projects were, as seen here and here, very much […]
Five questions for The Crime League
The Crime League is a Toronto-based music label originally established in 2006 as an outlet for b-sides of the electronic music project Displacer. It has […]
NEOTERIC COMPONENTS :: Raab Codec Igloo Mix
Taking on many genre shapes, Neoteric Components expands and contracts its hardened outer layers to reveal a flickering core made from molten techno, abstract industrial […]
V/A :: Ambient Selections Vol.1 (Cyan Music)
Ambient Selections Vol.1 is a typical nature inspired ambient compilation which creates a hypnotic sound environment and favors a deep listening experience. Cyan Music is an […]
Gnome & Spybey :: Three (Crime League)
A very personal musical topography which represents the most abstract-kinetic facet of ambient music with its mysteriously compelling, absorbing, droning and sonorous tendencies. Well established […]
Displacer :: Curse of the Black Lotus EP (Crime League)
Three remixes—one of them by waveTangent—and two originals dip back and forth between rusty machines, faded oscillators and lively audio deconstruction. Michael Morton digs deep […]
V/A :: Accretion (Tympanik Audio, 5-year Anniversary Compilation)
For fifteen dollars, the price of cappuccinos and pastry for two, you get half a gigabyte of high-quality MP3s, which amount to nearly four hours […]
c.db.sn :: ...At The End Of It All Remixed (Tympanik Audio)
Tympanik Audio administers a primed collection that defies specific explanation. It’s basically a matter of letting the gravity of this release take over as various […]
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