Desire Path

Tag: Desire Path

Kyle Bobby Dunn :: From Here to Eternity (Past Inside the Present)

Reviews 03/30/2019 by Alan Lockett

‘It’s about this place in North Montreal where I’d go to escape […] It’s incredibly beautiful, but it also filled me with hopelessness and a […]

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Federico Durand :: A Traves Del Espejo (12k)

Reviews 01/23/2016 by Fabrizio Cacciamali

The music is as beautiful as it is introspective, like a small window of antique glass looking right into Federico’s soul, allowing the listener to […]

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Igloo Magazine :: Best of 2014

Features Tops 01/03/2015 by igloomag

Here it is, well over 160 releases have been selected by various igloomag.com contributors highlighting some of the finest in an expansive array of music […]

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Kyle Bobby Dunn :: Kyle Bobby Dunn and the Infinite Sadness (Students of Decay)

Reviews 09/07/2014 by Alan Lockett

A triumph not so much of removed authorial ego, but of artful detachment. Purveyor of refined works of ambient minimalism since 2005, Kyle Bobby Dunn dials in […]

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Federico Durand & Melodía :: Double review (Spekk/Kaico)

Reviews 07/05/2014 by Alan Lockett

The theme of ‘blurry childhood memories’ is something of a go-to emotion pool for a current breed of ambient and electro-acoustic musicians. It’s one Federico Durand has drawn from over […]

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Nicholas Szczepanik :: Not Knowing (Desire Path)

Reviews 04/16/2014 by Alan Lockett

‘The dirt stuck in the crack that runs along the splintered baseboard in the closed-off half of the attic that no one ever enters.’ (Nicholas […]

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Alan Lockett’s Tops of 2011 :: So Far (So Good)

Tops 07/24/2011 by Alan Lockett

Igloo Magazine Contributing Editor, Alan Lockett’s verdict on 2011’s half-year of music is sofar, sogood, with his picks appearing on two Top lists here. To […]

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ALAN LOCKETT :: 20eleven sofar | sogood (igloomag mix)

Features 07/24/2011 by Alan Lockett

Alan, known to some as albient for his mix-tricks (and occasional audio-doodle) compiles 15 of driftiest dream-dealers in ambient/drone for 20eleven so far, while for […]

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