Experimental Electronic Music
Hollan Holmes delivers a conceptual ambient-electronic album that energizes beauty, while considering decay, aging, and the passage of time. This could act in a sonic parallel to Holmes’ visual art, celebrating the unconventional elegance of oxidation and endurance.
The overall feeling of Unfolding Skies definitely more energizing than meditative. The larger collaborative project is an homage to pre-1975 Berlin-school/Krautrock music, all electronic, usually in a journey format, and ranging from free-form beatless episodes and power rock electric guitar vocabularies with stunning drum-like percussion sounds.
Flow (Remastered) reintroduces Jon Jenkins’ unmistakable blend of sincerity, power, and cinematic depth, a sound that has captivated listeners for more than twenty-five years. Living at the crossroads of ambient, electronic, and instrumental rock, the album remains a transportive journey through vast imaginary landscapes.
On Rendering Time, electronic artist Deborah Martin and woodwind composer Jill Haley craft an immersive soundscape where acoustic and electronic elements merge in a journey through time, space, and memory. Blurring the line between the human and the elemental, each track becomes a precise rendering of a world both ancient and imagined.
