Experimental Electronic Music
Ultimately an upper level smorgasbord of audible electrons that doesn’t let up even for a moment, Pyramid Transmissions have curated another top release that contains just enough energy to thrust us into Interstellar space without looking back. IC2.1 is the quintessential catalog of electro and highlights the best in the scene.
A three piece suite released on a limited (and now sold out) 7″—Nike_Vomita emerges with just over 10 minutes of primed acid technoid extracts that bend, twist, and shift through ambient underpinnings.
This 14-track is the holiday we are all dreaming of—encapsulating the vibe of Boards of Canada, with Lemon Jelly production, spun into a modern instrumentals ensemble like that of Clams casino. Seek the journey you desire for yourself.
Koreless proves with Agor that he has become a master of his craft by exciting the listener with different aspects of sound design and structure. Unconventional in all the best ways. A future classic right here.
As drifting dandelion seeds float in the ether, the only place where one can find a cacophony of fractured drones, shimmering echoes, and sandblasted bass is right here in this wide open space that Scorn carves out for us.
Shred and Compro—the previous two full length releases from Skee Mask were both monumental in their own right, but on Pool, Müller seemingly pushes his productions even further, not letting his past works limit or define him.
Breaks, bleeps, and bass as Yellow Machines (known for their hybrids of electro, IDM, old hardcore, and jungle) accurately describes—BLE-EP rips through six robust and robotic rhythms catapulting itself into extraterrestrial terrain.
Adykt is representative of the continuous growth of experimental electronic music and where it can take us, the listener. And for all those beautifully disjointed sonic shapes and forms that engulf us, Dyadik remains on the right track.
Just below its petrified experimental shell is a groove that simply obliterates sound space and captures these ears once again.
Brisk and unblemished electronica that takes a page—perhaps even a whole chapter—from mid to late 90s melodic groove sculptors like Bola, B12, Plaid, Plastikman and Lowfish to new(er) school electronics from the likes of Karsten Pflum and Velum Break.
Somewhere nestled between hypnotic electronics and ambient techno, Pollux Rose wanders through nostalgic times, offering tranquilized soundscapes, broken beats, and chiseled electro from leftfield.
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