(01.11.08) David Dando-Moore is making Massive Attack nervous. His latest opus as Detritus, Fractured, opens mid-phrase, hurling the listener directly into the mix with a […]

(01.10.08) The New Year is here once again, and electronic labels are readying themselves for another twelve months of sound creation and dancefloor innovation. Those […]

(01.10.08) A companion “group” to Jason Köhnen and Giedon Kiers’ Kilimanjaro Darkjazz Ensemble, the Mount Fuji Doomjazz Corporation is the antithesis of the “jazz ensemble” […]

(01.02.08) Perhaps because of Jean Arp, Arp 220, Halton Arp, Air Raid Protocol, or possibly ARP synthesizers San Francisco’s Alexis Georgopoulos is now known to […]

(12.31.07) Aaron Spectre’s press blurb trails him as producing a whole range of music from dubstep to jungle to ambient. In fact, his recent Drumcorps […]

(12.31.07) Boltfish is becoming one of those labels that put out albums like you or I have hot dinners. Now if you’re partial to a […]

(12.29.07) tKatKa are a pop-electronica outfit from East London, a Brit-Swede collusion between PJ Norman and Carlsson. The phrases “well crafted” and “drum programming” immediately […]

::..:::…..:..::….:::::..:::..:::::::……:::…::.:::….::::..:..:::…::…….:::: Misha :: Teardrop Sweetheart (Tomlab, CD) Chicago film critic Roger Ebert has said, although I don’t have the reference handy, that he rates films […]