A great work in not only atmospherics but deep composition relying not on conventional elements so much as the fine detailed placement of found sounds, […]
Reviews
Senking :: Closing Ice (Raster-Noton)
Closing Ice is a great example of how to work in darkness while shedding light without more heat. In an interview in The Wire circa […]
Alavux :: Octagon (Bass Agenda)
Boundaries are broken and trampled as styles limits are danced across and spat upon. A 12” that will have the neighbors bangin’ on the walls. […]
V/A :: Reign Of Error (Low Res)
It’s 2015 and we’re still trying to induce shock and awe by throwing as much stuff at people’s ears as we possibly can. Reign of […]
V/A :: Tiny Portraits (Flaming Pines)
The research on sound forms, field recordings and urban soundscaping textures guarantees an active listening experience, investing our consciousness, our sense of hearing and cognitive […]
Wall $treet :: Trading for Love (Mysidian)
Drum programs are more intricate, melodies flutter into unexplored flights of fancy without floating off into wilderness. The music of Nico Nightingale is progressing quite […]
Kingbastard :: XY34R5 “A Decade of Bastardism!” (Odd John)
Clearly in the last ten years Kingbastard has covered a great deal of sonic territory and this collection is an excellent way to dip ones […]
Keita Sano :: Marin California (Lower Parts)
Stingray was always going to be hard to follow, and has proven to be so. Lower Parts is enjoying some well deserved attention. The Athens […]
Xu :: Panpsychism (Twice Removed)
Sound designer and multi-faceted experimental artist Nicola Fornasari (alias Xu) is back with a tremendous collection of cerebral dronescaping guitar abstracts and emotional electro-rockin’ resonances. […]
Vai :: Son of Idaia EP (Holger)
Son of Idaia is a good mix of ambient electronics and ghostly techno in a dubby, starkly beautiful package. The mysterious Vai has caught our […]
Frak :: Primitive Drums (Lux Rec)
“Frak is someone who never disappoints. It is not just one record, or their music, but the attitude of the group and the label, Borft, […]

















