Dancing Alone is a solid production where no expenses are spared. If you are a fan of Elska’s vocal textures or enjoy translucent gothic-ambient moods and melodies, this album will most appeal to you.
Author: Thomas Park
Joseph Auer :: Shanghai Gateway (Rednetic)
A meditative album featuring tracks of ambient electronic loops that lull a listener into a state of relaxed awareness.
SubtractiveLAD :: Brutalist (Self Released)
Brutalist is an intriguing and varied collection of electronic tracks that reflect a smorgasbord of sub-genres, the most of which are readily identifiable by attentive listening.
Synthetic Ecology 4 :: Musicians & Mortality — When a musician passes away, and what to do with their creative output
If you are interested in preserving your works, and with archiving them, I would not depend on a family member or a Max Brod-type to do it. I would waste little time setting up and performing this task yourself.
Kate Carr :: Midsummer, London (Persistence of Sound)
The way the drones and nature sounds blend together produce a noticeable, primordial outcome that is practically terrifying as Midsummer, London explores morbid emotions like […]
Pas Musique :: Come Follow Me (Alrealon Musique)
As a whole, the album is energetic, frenetic, chaotic, and somewhat punk. Featuring compositions both acoustic and electronic, recorded with an ample dose of “creative anger,” the tracks are a lot of fun listening to and really pull a listener in.
Alessandro Ragazzo :: La deviazione del profilo (Stochastic Resonance)
The combination of noise bursts, crackles akin to a detuned radio, a return to field recordings, reverberant knob-twiddling, and terrifying noise washes, creates a powerful soundtrack that evokes a theme of nature versus industry.
Richard Chartier :: On Leaving (Touch)
On Leaving contains a set of vintage variances, soothing drone tracks that are in ways abstract yet deceptively organic in nature. Minimal composition together with low pitches and recursive sets of sound contribute to this soothing effect.