Experimental Electronic Music
These memory-recordings expose the complex relationship between music and silence. They say that the ambient umbrella constantly expands the notions of what music might be. The Black Square could be wordless new ear poetry for the constant listener. I think that The Black Square might be a series of sound situations that flow and change as they go.
To Sleep On Stellar Winds is an epic space music album with Berlin-school influences that feature unique blends of modular synthesizers and wind instruments, to carry all listeners floating along the cosmic breezes to the outer edges of the universe, and beyond.
ENDROLL is an EP that weaves together a landscape of multi-instrument improvisations. The genesis of this album began with the question of whether all music needs a beginning, and instead, to hypothesize on whether music could still retain intention when drawn from a place of “finality.”
Placing special emphasis on creating piano flavored ambient meditations capturing the moment, these compositions are splattered with improvisation and chance. Iván Muela is fascinated by the way technology can become an essential part of the compositional process.
The project focuses on sound textures, an exploration rather than a pure melody, at others, the feeling comes across like the low-end rumble of a beat-less Berlin nightclub seeping up through the floorboards.
What you’ve just experienced is a harmonized rendition of our universe’s untold complexities, an auditory exploration into the very fabric of existence. It’s an invitation to not merely look but to see, not just to hear but to listen, as we collectively seek to unravel the universe’s hidden structures.
I am carried about on the circularly flowing strings within dim and transparent emerging elements and an odd mixture of electronic textures, granular and glitchy, and decorated with humorous abrupt collages.
Still Time celebrates humans and nature, always considering that we are here on Earth together. The music reveals some new percussion sounds added to the studio at Space Center Music Productions in Sandane, Norway, and some experiments with international ethnic voices.
Featuring delicate old tape machine samples alongside a 20-strong ensemble of world-class musicians, recorded in four countries, clearly the compositions use the full spectrum of natural and synthetic symphonics, combining perfectly into these classically informed arrangements.
Sometimes the constant listener might be passing right through the lines between ambient-electronica and post-rock, with layers of shimmering synths and gone distant etherial guitars.
This new version of niemandsland has ten titles, with alternate versions for a total of seventeen tracks. This is a twenty year old ambient recording revisited using modern tools, the original version was self-released in 2006.
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