There was a remix 12” released in ’95 but the De:Tuned gang have decided to go one better. Agraphobia Relapse collects a spread of artists […]
Author: Robbie Geoghegan
Dream Weapons :: Reach Dystopia (MRT)
Strong and strident beat patterns with subtle key changes and bold 303 strokes. Unsurprising, Lux Rec’s sub label set the bar pretty high with its […]
CCO :: Space Race (Endless Illusion)
Space Race adopts its retro-futuristic namesake. From the outset the heavens are the inspiration. Florin Buchel has been quiet of late. After his excellent ad-hoc […]
Thirteen, unlucky for some; not for Kernkrach.
I find it hard to come at Kernkrach from a critical angle. For thirteen years they have been pioneering synthesizer music. The German label has […]
Ekman & Dez Williams :: Double review (Shipwrec)
A testament to the search for innovation and experimentation. Shipwrec’s musical compass points in no one direction. Electronica. Acid. Techno. Electro. A sea of genres, […]
Manie Sans Délire :: Manie Sans Délire (June)
A record that skips across the lines of wave, house, ebm and techno. Last month I was lucky enough to hear June doing his thing […]
ANALOGIC DENSITY :: The spirit of Italian techno rekindled
Analogic Density is a label pushing acid and techno and going back to the machines that founded that sound. A new wave of musicians continuing […]
Alavux :: Octagon (Bass Agenda)
Boundaries are broken and trampled as styles limits are danced across and spat upon. A 12” that will have the neighbors bangin’ on the walls. […]
Wall $treet :: Trading for Love (Mysidian)
Drum programs are more intricate, melodies flutter into unexplored flights of fancy without floating off into wilderness. The music of Nico Nightingale is progressing quite […]
Keita Sano :: Marin California (Lower Parts)
Stingray was always going to be hard to follow, and has proven to be so. Lower Parts is enjoying some well deserved attention. The Athens […]
Frak :: Primitive Drums (Lux Rec)
“Frak is someone who never disappoints. It is not just one record, or their music, but the attitude of the group and the label, Borft, […]









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