Dark undertones and intricate percussion riffs dominate this album that starts off ominous in the first half and in the second part shines with rays of light and majesty poking through the heavy clouds.
Author: Justin Patrick Moore
Sommerfeld :: Expansion EP (Ryu)
It is easy to get entrained on these beats, and they have just the right level of aggression to appease fans of noise and post-industrial music as they would those who are just in it for the pure power of the pulse that hits like a lightweight spinning a punching bag.
Mick Chillage :: Skywave Transmissions (Self Released)
These transmissions are on just the right frequency for slowing down and finding your own signal in the noise. Comprising of two pulsating long-form pieces it is easy to get lost in these tones that undulate between earth and sky.
Pink B :: A Close Connection With Your Soul (Wireframe Clouds)
Thanks to Pink B for this break from the action in an overstimulated world, and to bright days of true connection that await ahead. This […]
An interview with Don Slepian from The Radio Phonics Laboratory
Material from the following interview with Don Slepian was used in Justin Patrick Moore’s new book The Radio Phonics Laboratory: Telecommunications, Speech Synthesis, and the Birth of Electronic Music from Velocity Press and available on Bookshop.org, Amazon, and fine bookstores everywhere.
Onepointwo :: Voyages Extraordinaires (Human Geography)
These are works of musique concrète recalling the radiophonic atmospheres in vogue in the fifties and sixties and now seeing a sound resurgence as the medium of tape is revitalized and resurrected for composing.
Negativland with Sue-C (June 2024 @ Kentucky Theatre live show review) & Stand By for Failure Documentary
Justin Patrick Moore’s Negativland with Sue-C show review and Stand By for Failure Documentary double feature.
People Like Us :: COPIA (Cutting Hedge)
In a way this album can be thought of as a collective mirror reflecting the sound prerogatives and choices of People Like Us and the many guest musicians involved as they wander through the library. From this fact people often infer that the library is infinite, because it sounds like they have used an infinite number of pieces to create this kaleidoscopic collection of musical associations.