(September 2010) This archival release – the original being from 1980, is a studio collaboration between producer Richard James Burgess and Rusty Egan, co founder […]
Author: Jus Forrest
Northcape :: Captured From Static (Sun Sea Sky)
(September 2010) Northcape hail from Brighton U.K, producing a blend of music largely consisting of gentle waves of ambient and luminous electronica. In the main, […]
The JDs :: Education (Pretension)
Distinctive in its depiction of bitter, bleak and shivery anthems that burrow their way outwards with burning anxieties and conflicting angst, leaving an aftermath of splintered sensations.
Debunkt :: Spiritual Suffering EP (Lobe)
(July 2010) Debunkt’s Spiritual Suffering EP gives an obvious and courteous nod to some of the great house music pioneers. Consisting of countless vintage sounds, […]
The Ancient Lowly :: Topography (Crabouiller)
(July 2010) Topography is a waterlogged soundscape of experimentation, completed with modular analog synth work as presented by musician Don Mennerich (aka The Ancient Lowly). […]
Eitan Reiter :: Places I Miss That I Haven’t Been To (Aleph Zero)
(July 2010) Eitan Reiter is a multi-talented genre-crossing musician and producer. Places I Miss That I Haven’t Been To is his debut release on Aleph […]
ALAN DAVEY :: The bass monster
Jus Forrest :: Looking at your site and your list of projects you’re obviously extremely busy almost all of the time – is it fair […]
ULTRAVOX :: Return to Eden 2 tour (April 24th, 2010)
(June 2010) BY the time Ultravox hit Berlin, their Return to Eden 2 tour is well underway and graciously polished, despite one temperamental volcano that […]
Not Breathing :: Christy Cores (Noize:Tek)
An album of short circuits, chemical buzz and a romantic affinity with the paranormal – not a global affair – more of a universal one, […]
A Guy Called Gerald :: Tronic Jazz: The Berlin Sessions (Laboratory Instinct)
A name many will always associate with the classic era of house circa 1988, and a certain track entitled “Voodoo Ray,” not to mention its […]
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