The exhortation in the album’s name—Remember the Future—helps me keep in mind the unbounded forward-facing optimism we felt in the warehouse raves in late-90s Oakland […]
Author: Eric Sorenson
Production Unit Xero :: Variable States (Component)
A wildly creative vision expressed through hardware synths and represents a solid advancement over Mills’ already prolific output. The equation is the beat: a relentless […]
AES Dana :: Inks (Ultimae)
If you are looking for music which induces deep trance states of euphoria, concentration, heartfelt empathy, and wide-eyed awe at the technical and soul-filled skill […]
Infinite Scale :: The Value of Accessibility EP (VLSI)
The consistent thread across nearly 20 years that Harmi Palda has been releasing music is the extraordinarily high quality of each and every track. They […]
Darkswoon :: Human Faults Remixed EP (Streaming Premiere)
Back in February 2019, we reviewed Portland-based trio Darkswoon’s third album, BIND, and the subsequent months have been hectic ones for the band. Between relentless […]
Sceptre Fretpen :: Earthquake Park (Self-Released)
Dense layers of sliced-up synth and organic tones, a heavily effected dulcimer melody that slips through the mix, and a glitchy beat that only coheres […]
Darkswoon :: BIND (Icy Cold)
The range of moods and styles expressed on BIND‘s nine tracks is impressive, as each represents a distinct direction and set of influences but manage […]
Robert Lippok :: Applied Autonomy (Raster)
Experimental electronics from deep in left field. Robert Lippok, lately of To Rococo Rot, collaborations with other Berlin-based musicians like 2005’s Tesri (with Barbara Morgenstern) […]
Tim Koch :: Spinifex (Central Processing Unit)
Tim Koch returns after nearly a decade-long hiatus from releasing music to bring us Spinifex, 17 tracks of melodic, slightly wonky IDM. A cohesive and […]
Production Unit Xero :: Post African Repetitions (Heterodox)
Post African Repetitions represents a lofty, cohesive concept: to evoke emotional responses to Mills’ understanding of himself as a product of the African diaspora and […]
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