The album is one of triumph over that grief and living despite the sadness and struggles of the world we live in, and life in general. Fragmented vocals weave in and out as echoes of past deeds and memories come back to mind.
Author: Chang Terhune
Dear Ian Curtis
I hope you’re free from pain, now and forever Dear Ian, We never met and probably never would’ve. Nevertheless you made a huge impact on […]
V/A :: Opposing Forces (Errorgrid)
Six tracks of artists brought together from differing sonic styles might sound like a recipe for disaster, but this collection shows that new ideas can come from different sources.
Lusine ICL :: A Pseudo Steady State Reissue (Ant-Zen)
The album is a diverse and playful exploration of jazz, lounge, hip-hop and IDM electronica carefully molded, shaped and pressed into eleven tracks of signature Lusine ICL sound.
Autechre :: Draft 7.30 & Confield Reissues (Warp)
One could imagine Autechre’s music as a lumbering, semi-amorphous creature cannibalized and synthesized with parts from electro, hip-hop, industrial, noise, free jazz, and plain old experimental music.
Broken Circuits :: Standing in Ruin EP (Errorgrid)
For a 4-song EP, Standing In Ruin bowls in and punches like a double album by Dimmu Borgir.
Joachim Spieth :: Terrain (Affin)
There are no sharp edges here, merely rising and falling tones, hillocks and nooks where sound pools and swirls, eddying slowly before being released into the ether.
Ben Frost :: Broken Spectre (The Vinyl Factory)
All the tracks work in this manner under Frost’s deft hands, wielding the synthetic against the recorded organic to reveal the dark cost of our destruction of the natural world.
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