Excellent modular synth work (via units built by fellow Italians Retina.it) successfully invoke ancient thoughts through sounds redolent of both past and future. It’s rare […]
Author: Andy Gillham
Dronelock :: EP’s 1, 2 & 3 (Weekend World)
Exploring the recesses of deep analogue electronics, Dronelock line up EP number three on the newly invigorated and much welcome return of the Weekend World […]
Blamstrain :: Sunday Dub (Erotus)
Guiding us through the wee hours, the four tracks all sit firmly within the dub techno fields of introspective muted kicks alongside reverb and delay […]
Deepchord :: 20 Electrostatic Soundfields (Soma)
Eschewing dub-techno for a more ambient approach serves Rod Modell well in this excellent long form package under his Deepchord moniker. The focus for 20 Electrostatic […]
Plaster :: Nemesis EP (Touchin’ Bass)
An absolute killer EP on Andrea Parker’s Touchin’ Bass label from Italian duo Gianclaudio Hashem Moniri and Giuseppe Carlini—otherwise known as Plaster. “Walking on Deodron” […]
Arovane :: Ve Palor (n5MD)
There’s no straying into strange new territories—what we have here is simply classic Arovane. n5MD is really flying the flag for all things electronica and […]
Terence Fixmer :: Bells EP (Electric Deluxe)
Billed as a ‘homage to the pitch black dance floors of the night,’ Fixmer serves up exactly that with an absolute belter of classic rolling […]
Bvdub :: Born In Tokyo (n5MD)
Epic peals of piano, vast orchestral strings and ethereal female vocals intertwine with techno, house and IDM inflected percussion across each track. There are periods […]
Planet Boelex :: Exist (Soft Phase)
It’s unlikely to get the hipsters stroking their beards in contemplation but for any fan of good old fashioned tuneful and chilled electronica, Exist is […]
Terence Fixmer :: Relapse Volume 1 (Planete Rouge)
Although remastered, the 2001 Fixmer works “Warm” and “Rage” carry the hallmarks of techno produced over a decade ago—in particular the industrial strength kick / […]
Bass Kittens & Volum :: 120 EP (Pretension)
120bpm is such a nice tempo for this style of music—you get a slight yet not overpowering pump from the electro beat whilst there’s room aplenty for the straightforward yet not overly fussy Kraftwerkian melodic action.
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