(03.17.07) Jörg Burger resurrects the mix-cd from terminal-trainspotting syndrome with the initial entry in Faith Recording’s Collector’s Series, titled Popular Songs. Burger, here as The […]
Author: igloomag
Tokyo Mask :: Hinterlands (Low Impedance, CD)
(03.17.07) This review has been really difficult. Mainly because several listens in I’m still not sure of what to make of this album. With Hinterlands, […]
Mothboy :: Deviance (Ad Noiseam, CD)
(03.15.07) Deviance starts with fragments of radio shows mixed with static noise, but just at the end of this intro track there’s a voice you […]
System :: Tempo EP (Rump, 12inch)
(03.10.07) Opiate, Dub Tractor and Acustic have all released respectable albums, but I’ve always been most impressed by their work together. It has been 5 […]
Holden :: The Idiots Are Winning (Border Community, CD/2LP)
(03.10.07) James Holden’s DJ mix At The Controls (Resist) was one of the very clear musical highlights of 2006 for me, so I bought this […]
Badun :: s/t (Rump, CD/2LP)
(03.10.07) The debut from Danish trio Badun is probably best summed up as “fiddly.” The press release makes references to the fusion band Weather Report […]
Mormo :: Wasting 500 Sounds (Low Impendance, CD)
(03.10.07) On first listen I was nearly ready to just write this album off as a mid to late period Autechre clone with some BOC […]
Dopplereffekt :: Gesamtkunstwerk (Clone Classic Cuts, CD/2LP)
(03.07.07) Clone records was founded on the sounds of Detroit techno and electro. Is it any wonder then that the first LP on the new […]
Enduser :: Pushing Back (Ad Noiseam, CD/2LP)
(03.06.07) One of my favorite parts about Enduser so far is the fact that my neighbor kept trying to read “Enduser” as a misspelled “Inducer.” […]
V/A :: Compilation 1 (Electr-ohm, CD)
(03.06.07) Compilations can be quite a difficult thing to do, you can either overdo it on one musical level while delivering only partially on another, […]
Dabrye :: Two/Three (Ghostly International, CD/2LP)
(03.04.07) Dabrye’s Instrmntl (Eastern Developments) is a high watermark in the cross-over between the head-nod of hip-hop and the textures ofelectronica. For me the restraint […]

















